The Prodigy are an English electronic dance music band from Braintree, Essex, formed in 1990 by keyboardist and songwriter Liam Howlett.
The band’s line-up has included MC and vocalist Maxim, dancer and vocalist Keith Flint, dancer and live keyboardist Leeroy Thornhill, and dancer and vocalist S
The Prodigy are an English electronic dance music band from Braintree,
Essex, formed in 1990 by keyboardist and songwriter Liam Howlett. The band’s line-up has included
C and vocalist Maxim, dancer and vocalist Keith Flint (until his death in March 2019), dancer and live keyboardist Leeroy Thornhill (who left to pursue a solo career in 1999),
and dancer and vocalist Sharky (1990–1991). Along with the Chemical Brothers and Fatboy Slim, The Prodigy are credited as pioneers of the breakbeat-influenced genre big beat, which achieved mainstream popularity in the 1990s.
Howlett’s rock-inspired drum rhythms infused with electronic rave music beats/breaks were combined with Maxim’s omnipresent mystique,
Thornhill’s shuffle dancing style and Flint’s modern punk appearance.
The Prodigy were founded in Braintree, Essex, in 1990 by keyboardist and songwriter Liam Howlett.
He had taken piano lessons in his youth and gained the ability to play difficult passages in just a few run-throughs.
After he decided to pursue a music career, Howlett met dancer and vocalist Keith Flint in mid-1989 at a rave at which Howlett was DJing.
After Flint requested Howlett make a mix tape for him, Howlett obliged, returning a cassette several days later with a collection of his own songs on the other side.
Howlett had scratched the word “Prodigy” onto the cassette, the same name as the Moog Prodigy analogue synthesiser and Howlett’s moniker.
The tape was well received by Flint and keyboardist Leroy Thornhill who developed new dance sequences to the music and suggested to Howlett they begin a group together.
They were soon joined by MC and vocalist Maxim, then known as Maxim Reality, and female dancer and vocalist Sharky, a friend of Flint’s. Together they became the first line-up of the Prodigy.
In August 1991, the Prodigy released their debut single “Charly”, which samples dialogue from the Charley Says series of animated films produced by the Central Office of Information. It became a hit in the rave scene at the time,
and reached number 3 on the UK Singles Chart, thus catapulting the band into the wider public attention.
The success of “Charly” began a trend of mixing dance and “hardcore rave” tracks with cartoon samples, such as “A Trip to Trumpton” by Urban Hype and “Sesame’s Treet” by Smart E’s, which were a hit with clubbers, but not to reviewers and critics, who dismissed the music as “kiddie rave” or “toytown techno”.
Following the international success of Music for the Jilted Generation, the band augmented their line-up with guitarist Jim Davies (a live band member who later joined the group Pitchshifter)
in 1995 for tracks such as “Their Law”, “Break and Enter 95”, and various live-only interludes and versions.
He was soon to be replaced by Gizz Butt of the band Janus Stark, who remained with the band for the next three years.
The Prodigy were getting considerable airplay on rock stations with their controversial track “Smack My Bitch Up”—and also a negative backlash for the song.
The National Organization for Women (NOW) criticized the song and its music video. The song’s lyrics consist entirely of the repeated phrase “Change my pitch up, smack my bitch up”, which
NOW stated are a “dangerous and offensive message advocating violence against women”.
Howlett responded to the criticism by stating that the meaning of the song and its lyrics were being misinterpreted, and the phrase meant “doing anything intensely, like being on stage—going for extreme manic energy”.
The band did not actually write the lyric, but rather, sampled it from the hip hop Ultramagnetic MCs’ track “Give the Drummer Some” which also appears on the Dirtchamber Sessions; they had also sampled another Ultramagnetic MCs song “Critical Beatdown” on their earlier “Out of Single.
The National Organization for Women also believed that the lyrics are in reference to administering heroin (smack) to another person
Several radio stations limited the song’s airplay to nighttime hours. In September 1997, the Prodigy performed “Breathe” at the 1997 MTV Video Music Awards, and won the Viewer’s Choice Award.
The Prodigy first emerged in the underground rave scene in the early 1990s and achieved popularity and worldwide recognition with UK number one singles such as “Firestarter”
and “Breathe”, both singles coming from their UK and US chart- topping album The Fat of the Land (1997). A third single from the album,
“Smack My Bitch Up”, was also successful. They earned titles like “the premiere dance act for the alternative masses”
and “the Godfathers of Rave” and remain one of the most successful electronic acts of all time. They have sold an estimated 25 million records worldwide, and won numerous music awards during their career, including two Brit Awards for Best British Dance Act, three MTV Video Music Awards, two Kerrang! Awards, five MTV Europe Music Awards, and received two Grammy Award nominations.[
The group’s first live gig occurred at Four Aces in Dalston, London.With a group secured, Howlett wrote, produced,
and mixed a 10-track demo tape on a Roland W-30 sampling workstation keyboard, and approached Tam Tam Records with the hope of securing a record deal, but they declined. He then turned to XL Recordings,
headed by Tim Palmer (Founder) and Nick Halkes (Head of A&R) who agreed to a meeting and subsequently picked up the demo and signed the group on a 4 x Single contract.
In February 1991, the band released the extended play What Evil Lurks on 12-inch vinyl, containing four songs that Howlett had produced on the demo.
The album was nominated for a Mercury Music Prize, although Howlett had reaffirmed his dedication to making the Prodigy a ‘hard dance band’, commercially successful but without compromise.
The band managed to continue to prevent over-exposure in the media by refusing to appear on Top of the Pops or other television shows in the UK.
] To date, their only studio appearance on British television came when they appeared on the BBC2 series
Dance Energy in 1991, performing “Everybody in the Place”. In the ensuing years, their videos received a strong level of support by MTV Europe,
which boosted their popularity across the continent. Keith Flint himself hosted an episode of the MTV show 120 Minutes in 1995.
The release of “Firestarter” in 1996, featuring vocals for the first time courtesy of a new-look Keith Flint, helped the band break into the United States and other overseas markets, and reached number one on the UK Singles Chart.
In this year the Prodigy also headlined the prestigious Lollapalooza festival.
The long-awaited third Prodigy album, The Fat of the Land, was released in 1997, just as the band headlined the Glastonbury Festival on its opening night.
Featuring simplified melodies, sparser sampling, less rave music influences, and punk-like vocals supplied by a shockingly madeover Flint, the album nevertheless retained the bone-jarring breaks and buzzsaw synths so idiomatic of the band.
The album cemented the band’s position as one of the most internationally successful acts in the dance genre, entering the UK and US charts at number one
The music video for “Smack My Bitch Up”, directed by Jonas Åkerlund, featured a first-person point of view of someone going clubbing and indulging in large amounts of drugs and alcohol.
Other content shown includes the protagonist getting into fist fights with men, abusing women, vomiting repeatedly, and picking up a lap dancer (played by British glamour model Teresa May) and having sex with her. Much of the aforemen
tioned is depicted fairly explicitly. At the end of the video, the camera pans over to a mirror, revealing the subject to be a woman. MTV only aired the video between 1 and 5 a.m due to the controversial material.
After one week, MTV removed the music video at NOW’s request
The director got the inspiration for the contents of the video after a night of drinking and partying in Copenhagen.
In 2002, after a break from touring and recording, the single “Baby’s Got a Temper” was released to critical disappointment.
The original version of the song was written by Keith Flint’s sideband, Flint and was called ‘NNNN’.
The Prodigy version was a total reworking of Flint’s track with only a few of the lyrics and melody remaining from the original and produced by Howlett.
The song also featured Jim Davies. Once again, the band courted controversy by including references to the so-called “date rape” drug Rohypnol in the song’s lyrics.
The song’s music video was also controversial, which featured barely covered women milking cows in a suggestive fashion.
The complete, unedited video was aired on MTV2 in 2002 as part of a special late-night countdown showing the most controversial videos ever to air on MTV.
In the same year, however, magazine named the Prodigy one of the “50 Bands to See Before You Die”.
In 2005, they released a compilation, Their Law: The Singles 1990–2005, which spawned a single containing new remixes of the songs “Out of Space” (“Audio Bullys Remix”) and “Voodoo People” (the “Pendulum Remix”). The artwork represented drawn versions of the front covers of the “Out of Space” and “Voodoo People” single releases.
The latter was also followed by a music video filmed in Romford Market, Essex, which featured on the DVD release of the compilation. Sharky, the group’s only female member, is shown running and winning the race depicted in the video.
Also in 2005, the song “You’ll be Under my Wheels” from the Always Outnumbered, Never Outgunned album was added to the soundtrack of Need for Speed: Most Wanted
. The cover artwork included an extended essay by band biographer Martin James.
The album featured Dave Grohl on drums for “Run with the Wolves”.
The top five hit “Omen” and “Invaders Must Die” were co-produced with Does It Offend You, Yeah? frontman James Rushent.
The band said that the album would go back to their “old-school but cutting edge” roots.
The album was released as a CD, CD-DVD set, double vinyl, digital download, and a luxury 7-inch vinyl box set including five 7-inches, CD-DVD, bonus CD, poster, stickers, and stencils.
Invaders Must Die was released on 21 February 2009 in Australia and in Europe on 23 February 2009, charting at number one in the U.K. with week one sales of over 97,000—a higher figure than for either Always Outnumbered or their singles collection.
The album also reached the top five in Germany and Australia and top 10 in Norway and several other European countries.
On 12 January 2015, the Prodigy released “Nasty” as the lead single off their upcoming album along with the title track on 26 January 2015.
Howlett found that “violent is the word that keeps on coming up” when describing the album.
The entire recording process took almost six years taking in a number of studios and a few restarts to establish that “angry, energetic sound”.
Unlike previous efforts The Day Is My Enemy became a band-album where Flint and Maxim worked in tandem with Howlett.
This created a degree of friction although Flint noted that “four years ago we sat down and talked about where the next album was gonna go, and we knew we had to bust out the most ‘band’ album we could create”.
The band played at Future Music Festival Australia in February/March 2015 and toured Germany and France in April 2015 ] and the UK in May 2015.
They also performed at the Rock Werchter, Rock am Ring/Rock im Park, Benicàssim and Isle of Wight festivals.
On 23 February 2015, the Prodigy released “Wild Frontier” as the second single off their upcoming album The Day Is My Enemy after announcing it three days earlier.
The Stop-motion animation was directed by the Dutch filmmaker Mascha Halberstad and animator Elmer Kaan. The Cover Art was designed by Austrian artist and designer Moritz Resl.
In 2015, the Prodigy announced a winter 2015 UK and mainland Europe tour on 26 May, with Public Enemy as support
During a performance at the Reading Festival on 29 August 1998, the Prodigy and the Beastie Boys had an onstage disagreement over the track,
with the Beastie Boys requesting the song should be pulled from their set as it could be considered offensive to those who had suffered domestic abuse.
Choosing to ignore the Beastie Boys’ plea, Maxim introduced “Smack My Bitch Up” with the declaration
“They didn’t want us to play this fucking tune. But the way things go, I do what the fuck I want”.
Wal-Mart and Kmart later announced they would pull The Fat of the Land off their shelves. Despite the fact that the LP had resided on their store shelves for over 20 weeks, and the fact that they had sold 150,000 copies of the album in total, the two stores found the marketing campaign for the new single release “offensive”.
At the 1998 MTV Video Music Awards in Los Angeles, “Smack My Bitch Up” won two awards; Best Dance Video and Breakthrough Video.
1999 saw the release of the Prodigy’s The Dirtchamber Sessions Volume One, a DJ mix album by Howlett, produced as an official record of a successful guest appearance on the British Radio 1.
The original session came into being following a conversation between journalism and band biographer Martin James and Breezeblock presenter Mary Anne Hobbs.
They are subsequently both thanked on the album sleeve notes. In June of the same year, when the band had arguably reached their commercial peak, they parted company with guitarist Gizz Butt.
Following 1999, Thornhill departed from the group after splitting up with Sara Cox
; the band’s website was replaced with their logo and the words “We will be back…” set against a black background, which would remain until 2002.
No, we’re all done with that [those albums] now, all the old material. We didn’t actually want to do the Greatest Hits, we were ready to start our new record—until the record company pointed out that it was in the contract. But then we got into it, and tried to be creative with it as much as [we could]. And, you know, we ended up being really proud of it. You have to have a different brain when you’re doing a record like that. It’s more about [saying] “this is your achievement”; I could hold in one hand all the records we’ve released, so that was cool. We’re moving on now, and getting on with the new record.
In May 2011, the band released World’s on Fire, their first live album and concert film documenting their 24 July 2010 show at the Milton Keynes Bowl as part of that year’s Warriors Dance Festival.
The film screened to select theatres across Europe for one night.
On 16 November 2010, Howlett announced that after their American tour with Linkin Park, the Prodigy were to re-enter the studio to record new material
On 6 August 2011, the Prodigy headlined the Przystanek Woodstock in Poland, while at their two final shows of 2011 in Brazil, they premiered two new tracks:
“A.W.O.L” and “Dogbite” They headlined the 2012 Download Festival on 8 June playing a regular setlist, with the addition of three new songs, “Jetfighter”, “Dogbite” and “A.W.O.L” accompanied by on-stage imagery of jet
aircraft.Howlett has confirmed this album will not be dubstep, but that it will feel “fresh” whilst darker. In April 2012, to commemorate the fifteenth anniversary of The Fat of the Land, the album was re-released alongside a remix EP, The Added Fat EP, featuring remixes from multiple groups such as Major Lazer, Noisia, and Zeds Dead.
On 3 May 2012, the Prodigy announced the working title of their new album How to Steal a Jetfighter.
In December 2012, a new track titled “The Day” was debuted at Warrior’s Brixton and in June 2013, a new track titled “Rockweiler” was debuted at Rock am Ring.
The band headlined the Sonisphere Festival at Knebworth in 2014.
On 2 July 2014, the band revealed their upcoming album would have a different name and a “violent sound”.
In August 2014, they signed to the Three Six Zero Group for the United States,
returning to Warner Music for the first time since 2004. Maxim indicated in September 2014 that the new Prodigy album would be released in the first quarter of 2015.
It was later announced on 6 January 2015 that the next Prodigy album would be releasing 30 March 2015 and that it had been given the title The Day Is My Enemy.
The Prodigy’s seventh studio album, No Tourists, was released on 2 November 2018 under a new recording deal with BMG Rights Management.
The deal reunited the group with Howlett’s song publishing, which BMG had acquired from EMI Music Publishing in 2012 as part of the Virgin Music catalogue.
On 4 March 2019, Flint was found dead at his home in Essex, weeks after the band had toured Australia and New Zealand.The rest of The Prodigy’s tour dates were cancelled.
Following Flint’s death, fans began using the Twitter hashtag “Firestarter4Number1” on various social media platforms to get “Firestarter” to number one on the UK singles chart out of respect for Flint and to raise awareness of suicide among men In August 2020, Howlett said that The Prodigy will contin
That Christmas Day, he confirmed that new music will be released at some point in 2021 Former member Leeroy Thornhill said that Howlett had been working on a new Prodigy album at the time of Flint’s death, and wishes to complete it as a tribute to Flint.
On 10 February 2021, the band announced their plans to begin production on a documentary film about the band’s history, with a now unknown title and release date.
It will be directed by long time collaborator Paul Dugdale and produced by Pulse Films.